VIVIDH BHARATI ONLINE...... RADIO CHANNEL,YOU LOVE THE MOST

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hi

Posted by [email protected] on August 25, 2014 at 1:50 AM Comments comments (0)

h


here  all  are  lsiteners  and  nobdy  active   in conversation

ttps://plus.google.com/+jyotsnapathania/posts

listeners choice

Posted by [email protected] on August 21, 2014 at 4:30 AM Comments comments (2)

very  nice  selected  songs  , choice  of  callers  and  listeners  and  sms  and  emails

sakhi saheli

Posted by [email protected] on August 20, 2014 at 3:40 PM Comments comments (4)

sakhi  saheli  is  nice  woman  and  home  , personal  and  social  program  like  a club, all  members  and  lsiteners  share  notes

vividh programs

Posted by [email protected] on August 18, 2014 at 10:20 PM Comments comments (0)

i  love  listening  to  the   wide  range  of  variety  of  programs  that  attract  such  a  different  type  of  listeners  from  all  around  the  world,   sending  their  farmaish  through  sms  or  letters  or  phone  calls, its  inetesrting

janmashtmi

Posted by [email protected] on August 17, 2014 at 10:05 PM Comments comments (0)

RAVI'S SAD DEMISE

Posted by $ Prakash Ingole on March 8, 2012 at 1:20 PM Comments comments (2)

Renowned music director of yesteryear, popularly known as RAVI alias Ravi Shankar Sharma has left the Hindi music lover in a deep sorrow. He was admitted to hospital after heart attack. He passed away on 7th March 2012 at Mumbai.

As all knows that in the 40’s it was a hard paining to get introduced in film career and if introduced than it was a very very hard to survive and remain in industry. Born at Delhi on March 3,1926 Ravi completed education at Delhi itself. About Ravi, he himself has told his life story in his words” I belonged to Delhi and was born and brought up there. As a child, I loved singing film songs. I would while away time flying kites and would keep failing my exams. However, I realised my true potential at the age of 11. My father belonged to the Kalki Bhagwan Mandal, where they would sing bhajans every evening. One day my father asked me to sing a song. Everyone appreciated me. The boy who sang before me felt jealous. The next day when I was asked to sing again, he played wrong notes and I couldn’t sing because I was not trained in music. Everyone laughed at me.

That day, I promised myself to become a great singer some day. I went home and told my father that I wanted to learn the harmonium. One by one I learnt all the instruments. Meanwhile, in 1943, I got a job at the cantonment as an electrician for Rs 196. It was 13 km away from my house. I would leave home at six in the morning and would come back late at night. I quit the job after a few years and started doing odd jobs here and there. I finally got married in 1946. In 1950, I decided to come to Mumbai to try my luck in films as a singer. I did not know anyone here. I had no place to live, nor any food to eat. I spent my nights at Malad station and sometimes outside shops on the streets. My father later arranged for a small place in Kalbadevi. He sent me money from home. For days, I lived on one glass of tea and one meal for 50 annas.

Many people cheated me with false promises. They would borrow money and never return it. During this time, music director Husnalal Bhagatram asked me to join his chorus group and offered to pay Rs 50. My clothes and chappals were torn. I was glad that I would earn some money, but after four rehearsals they rejected me. I pleaded with them, but nothing worked out. My father, however continued to send me Rs 40, out of the `80 that he earned. Despite my struggles, I never once gave up my dream of becoming a singer some day.

When I had left Delhi, I had also carried my electrical tools with me. So, I started taking odd jobs of repairing appliances to earn extra money. In 1951, my wife and children came to Mumbai. Then one day, I met music director Hemant Kumar, who allowed me to sing in the chorus for the Vande Mataram song in the film Anandmath (1952). With the money, I bought a house made of tin in Kandivali. There was no electricity or water there. There were eight common toilets and we had to store water from the well, which was near a bungalow in the vicinity. Meanwhile, I continued to assist Hemant Kumar and also played the tabla for him. He was not well-versed with Urdu, so I would often help him out. From there on I never looked back. Soon, I started composing as well as writing lyrics. Slowly, I got more work. My song Chandamama Door Ke became a hit. I composed music for several films. Then Hemant Kumar told me to become an independent composer.”

Later, it was the legendary Guru Dutt who gave the first big break to Ravi to compose music for "Chaudhvin Ka Chand", since then there was no looking back for him.Ravi continued to move from strength to strength with powerful compositions and great music and ultimately became a legend in his own right. And now rest is well known. Ravi has given music to Hindi films which are Albeli (1955),Vachan (1955),Ek Saal (1957),Narsi Bhagat (1957),Dilli Ka Thug (1958), Dulhan (1958), Ghar Sansar (1958),Mehndi (1958),Chirag Kahan Roshni Kahan (1959),Nai Raahen (1959), Pehli Raat (1959), Apna Ghar (1960), Chaudhvin Ka Chand (1960), Ghunghat (1960), Tu Nahin Aur Sahi (1960),Modern Girl (1961),Gharana (1961),Nazrana (1961), Pyaar Ka Saagar (1961), Wanted (1961),Salaam Memsaheb (1961),China Town (1962), Raakhi (1962), Tower House (1962),Bombay Ka Chor (1962),Aaj Aur Kal (1963),Gehra Daag (1963), Gumrah (1963), Nartaki (1963),Ustadon Ke Ustaad (1963),Yeh Raaste Hain Pyaar Ke (1963), Bharosa (1963),Mulzim (1963),Pyar Kiya To Darna Kya (1963),Grahasthi (1963), Kaun Apna Kaun Paraya (1963),Door Ki Awaaz (1964),Shehnai (1964),Kaajal (1965), Khandaan (1965), Waqt (1965), Bahu Beti (1965),Do Badan (1966),Dus Lakh (1966),Phool Aur Patthar (1966), Sagaai (1966),Yeh Zindagi Kitni Haseen Hai (1966),Aurat (1967), Humraaz (1967), Meharban (1967), Nayi Roshni (1967), Aankhen (1968),Do Kaliyaan (1968), Gauri (1968),Man Ka Meet (1968),Neel Kamal (1968),Paisa Ya Pyaar (1969),Aadmi Aur Insaan (1969), Anmol Moti (1969),Badi Didi (1969),Doli (1969),Ek Phool Do Mali (1969), Dharkan (1972),Dhund (1973), Mehmaan (1973), Umeed (1974),Ek Mahal Ho Sapnon Ka (1975),Nikaah (1982),Aaj Ki Awaaz (1983), Tawaif (1984),Ek Alag Mausam (2003).

 

Ravi was noted for his heart-touching, soft, melodious tunes, which made his songs and music immortal and is hummed even today, decades after he composed them. Plus, he was a very fine gentleman, and a great human being, He was nominated for Filmfare awards for Seven times and won the two for Gharana (1961) and Khandaan (1965) and also Salma Agha won the filmfare best female playback award for Dil ke armaan aansooyon main beh gaye ( Film-Nikaah).

 

Ravi also composed music for 14 malayalam films by name Bombay Ravi / Ravi Bombay from year 1986 to 2005.

There is no a single day of Vividh Bharati when ravi’s song is not played. Ravi’s sad demise is shocking for old music lovers.

 

वो नाम सब रेडियोनें कहाँ छिपा दिये

Posted by पियुष महेता -सुरत on July 15, 2011 at 10:26 PM Comments comments (0)

आज उन नामों का जिक्र करना चाहता हूँ जो सालों से रेडियो पर बोले नहीं गये या फोन इन कार्यक्रममें किसी श्रोता ने उनको याद किया तो सम्पादनमें निकाल दिये गये । (हाँ उनमें से सिर्फ़ गिने चूनें लोगो की करीब अंतीम क्रिएशनो को कमर्शीयल ब्रेकमें या शाम 6. 07 पर (डीटीएच में ही और उनके नाम दिये बि ना ही) बजाया जाता है ।

पियानो एकोर्डियन वादक और वाद्यवृंद निर्देषक श्री एनोक डेनियेल्स, पियानो और सोलोवोक्ष वादक  स्व. श्री केरशी मिस्त्री, एकोर्डियन और फरफीसा ओरगन वादक स्व. श्री गुडी सिरवाई, शहनाई वादक रामचन्द सालूके और उनके चौघडा वादक साथी गणपत जादव, इलेक्त्रीक ओर्गन वादक जयेश गुजराती, शम्मी रूबीन, ल्यूसीला पिचाको, विरेन्द्र ल्यूथर (साथमें माऊथ ओरगन भी), ब्रिजेट कारवाल्हो, हारमोनियम, पियानो-एकोर्डियन और युनिवोक्ष वादक स्व. वी बालसारा (संगीतकार के रूपमें उन्हें याद किया जाता है), सेक्षोफोन क्लेरीनेट और केस्टर्न फ्ल्यूट वादक के मिले जूले नाम सुरेश (यादव), जो गोम्स, गंगाराम, ब्रिजलाल सिंह, बांसुरी वादक श्री एस (श्रीधर) केंकरे और प्रेम गुप्ता, माऊथ ओरगन वादक स्व. मिलन गुप्ता, मदन कूमार, शैकत मूकर्जी और भानू गुप्ता, एकोर्डियन वादक स्व. अरूण पौडवाल (याद किये जाते है सिर्फ मीराका मोहन जैसी फिल्मों के संगीतकार के रूपमे), सितार वादक अरविंद मयकर और अशोक शर्मा, इलेक्ट्रीक गिटार वादक वान शिप्ले, सस्व. सरदार हज़ारा सिंह), सुनिल गांगुली, बटूक नंदी, रजत नंदी, काझी अनिरूद्ध, प्रदीप कूमार नाथ । जल तरंग वादक डी. रिजराम (राजा) (जिनको एक मात्र श्री अशोक सोनावणेजीने मेरे साथ की गई हल्लो फरमाईश की बातमें याद किया था ) ।

और भी कई नाम याद आते है पर कभी और समय उनका जिक्र होगा ।

पियुष महेता ।

सुरत-395001.

bRiNg iT On

Posted by soni talukdar on June 9, 2011 at 1:19 AM Comments comments (1)

 support yog guru BABA RAMDEV'S MISSION TO GRAB BLACK MONEY BRING IT AND MAKE IT NATIONAL ASSET    SUPPORT TOO ANNA'S CAMPAIGN AGAINST CORRUPTION AND JOIN LOKPAL

fashion

Posted by aruna on April 18, 2011 at 2:08 AM Comments comments (0)

hello dear friends,

aruna here after a long time. what to do? from pune we moved to lucknow and from lucknow , as we were adjusting and settling down we moved to delhi again. As we won't get accommodations immediately i am trying desperately to locate vividh bharati in pocket radio, but without any result. i cannot just listen to any other channel, except vividh bharati with the sweet and melodious anchoring of our renu ji and all. so here i am spending time reading a lot and suddenly about the fashion thought came to my mind. May be because it is concluded recenty. coming to the point,

i am miles away from fashion and its concepts. i can never comprehend why the girls are clothed skimpily, while their heads are adorned with funny head gears, why they look so anorexic, whenever i look at them i feel they appear dehydrated and starved, and as if they are deprived of food and water. can any common person wear those clothes? The very purpose of wearing clothes is defeated there. In our childhood we were taught clothes protect us from sun, rain and cold weathers. But there is no such problem for our heroines in the films, they can dance with minimum clothing whether it is a desert or in the himalayas without being effected by the harsh weather. having stayed in those places with layers of clothing in winter and pure cottons in summer i fail to understand how can they survive the extreme weather conditions? saree is taking a back seat and even if some ladies are wearing the blouse is dictating how the saree should be draped. The very purpose of blouse is gone with its so called 'funny' designs. one good thing about this is u need not buy much cloth for making a blouse. In the name of designer sarees, cheap synthetics are adorned with colored stones and threads, nobody is minding to buy those despite their heavy prices. They are not even worried about our countrys weather conditgions, hot and humid.  don't know may be these are beyond my comprehension. thank u for the patient reading. 

aruna gorthi.

new delhi.


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